Mishka tells the story of a conflicted 13-year-old and her grim secrets. In the face of an unsettling reality, Mishka makes an alarming decision in a desperate attempt to revert her childhood self.

Set during the launch of the first space shuttle of the Philippines - an ordinary old couple living in the suburbs attempts to go about their life during this strange day.

The Pulitzer at 100, by Oscar and Emmy winning director Kirk Simon, is a ninety-minute independent documentary released in conjunction with the Pulitzer Centennial in April 2016. This film is told through the riveting stories of the artists that have won the prestigious prize. With Pulitzer work read by Helen Mirren, Natalie Portman, Liev Schreiber, John Lithgow and Yara Shahidi; journalists include Carl Bernstein, Nick Kristof, Thomas Friedman, and David Remnick; authors include Toni Morrison, Michael Chabon, Junot Daz, Tony Kushner, and Ayad Akhtar; and musicians Wynton Marsalis, David Crosby, and John Adams also share their stories.

My debut Comedy Central special, PAID REGULAR, is a tribute to my stand-up origins. I shot in the Original Room at the Comedy Store in Hollywood. It's where half the great comics for the last 40 years have worked out on a nightly basis. It's where I've gone up on stage more than anywhere else in the world. To me, this is what comedy is supposed to look like. My bits are about me exploring the hackiness of racism, life in weed-challenged NYC, and all the ways you too can challenge authority. And you also get some of my favorite material that we had to cut down for the broadcast edit. The Walking Dead bit was the one that hurt the most to have to cut out for TV. And there's a public service announcement that you should for sure watch with that special person in your life (unless you're both lesbians).

In 1982, almost five million people took theaters to see Erotic Things, the first Brazilian porn film. The production is today considered a major episode in the history of Brazilian cinema because it was launched during the country's military dictatorship. Thirty years later, The First Time of Brazilian Cinema found the producers and actors to tell the inside story of this fascinating journey.

Si Nos Dejan, a 10-minute short commissioned by Miamis BorschtCorp, is arguably Rowlson-Halls most ambitious piece to date, a string of scenes revolving around a man and woman dressed as though for a wedding, embarking on the strangest nuptial ceremonies that you will ever see.