For forty days Alejandro Martnez has been locked in his room, where he has lost all sense of time, all because of a pandemic alert against which he starts to doubt and conspire.

In March 2020, Arlo Parks was on her first headline tour of the UK when Covid-19 brought the country to a halt. Her remaining shows were cancelled and no longer able to perform, she went back to living at home with her parents in London. She began to grieve for the year she had lost, sometimes not leaving the house for days. Until, she decided she needed to change her perspective. Determined not to be defeated by the circumstances, Arlo Parks put a plan together and began writing her debut album, connecting with other artists and fans online and as restrictions began to ease, she flourished even further. She collaborated with some of her favourite singers and performed in two Live Lounges in lockdown. She crafted album artwork and even went to sing on a stripped back Pyramid Stage in Glastonbury. If there is anyone who has made the most of out lockdown, it is sure to be Arlo Parks.

Set in a British working class neighbourhood, the stories of three wrecked people meet each other leading the film to a disastrous climax.

After their journey that led them to the sea, our four cows, Clarisse, Marguerite, Agla and Rosine, are now on their way to the mountains. JB, the eco-pastoral guide, invited them to join him on a trip to discover the snow-capped peaks.

Tucums hammocks, the first contact with white people. The Parakan? women weave the strings of their history.

To prevent himself from going insane in isolation, a young filmmaker conjures up an idea about a demented experimental director who tries to convince his harshest critic to enjoy his work.